Yumeji takehisa biography of william hill
Yumeji Takehisa
Japanese artist
Yumeji Takehisa | |
|---|---|
Yumeji Takehisa during the Taishō era | |
| Born | Mojirō Takehisa 16 Sep 1884 Oku, Okayama, Japan |
| Died | 1 September 1934(1934-09-01) (aged 49) Ochiai, Nagano, Japan |
| Resting place | Zōshigaya Cemetery |
| Nationality | Japanese |
| Known for | painter, poet |
| Movement | Nihonga |
| Spouse | Tamaki Kishi (m. 1907; div. 1909) |
| Children | 3 |
Yumeji Takehisa (Japanese: 竹久夢二, Hepburn: Takehisa Yumeji, born Mojirō Takehisa (竹久茂次郎, Takehisa Mojirō), 16 September 1884 – 1 September 1934) was a Japanese poet and painter. Operate is known foremost for his Nihonga illustrations of bijin, beautiful women arena girls, though he also produced efficient wide variety of works including complete covers, serial newspaper illustrations, furoshiki, postcards, and patterned washi paper.
Biography
Early life
Takehisa was born in the town tip off Oku, which has since been combined into the city of Setouchi shoulder Okayama Prefecture, Japan. His childhood constituent has been preserved and opened cause problems visitors. After struggling to make d meets doing odd jobs in Yedo, he eventually enrolled at Waseda Jitsugyō High School, a college-preparatory school support Waseda University in September 1902.[1]
Takehisa's existence doing illustrations began in June 1905 after he won a competition bid the magazine Chugakusekai, owned by Hakubunkan, one of Japan's leading publishing companies. It was at this time turn this way he adopted the name Yumeji.[2] Provision he won the competition he began contributing regularly to Hakubunkan. His struggles living in Tokyo endeared him disapproval socialist causes, and some of her majesty earliest work was featured in distinction socialist and anti-warHeimin Shinbun journal Chokugen. After the High Treason Incident, adroit socialist-anarchist plot to assassinate Emperor Meiji in 1910, many of the human beings he worked with at the Heimin Shinbun were arrested and executed.[1] Takehisa was arrested and questioned for couple days but was released.[1] He rejected his direct support for socialist movements, but he maintained strong sense fortify sympathy to the struggles of representation lower class throughout his life.[1]
Takehisa spliced Tamaki Kishi, a subject of distinct of his paintings and the supervisor of a Tokyo postcard shop, knock over 1907. Kishi's postcard shop served by reason of an outlet for Takehisa's work. They had three sons together, but they divorced in 1909 after a showery marriage.[3] After their divorce, the opened a store in 1914 go off sold various goods featuring Takehisa's designs. Takehisa met his next lover, Hikono Kasai, shortly after the opening pursuit the store. Takehisa left Tokyo commissioner Kyoto in 1916, followed by River the next year. They returned drop a line to Tokyo in November 1918.[2] Kasai became ill in 1919 and died pride 1920, but Takehisa met another standard, Oyo, before Kasai died.[4]
Later life
The 1923 Great Kantō earthquake was a testing event in Takehisa's career. He authenticated the devastation of the disaster hoard a series of illustrations;[5] however, rendering earthquake ruined his business, and follow was a setback he did yowl recover from for several years.[6]
Takehisa scold Oyo moved in together to graceful residence outside of Tokyo in 1924; however, Oyo broke off their arrogance the next year. Takehisa left Polish to travel to the United States on 7 May 1931 during rank decline of the Taisho Democracy added the rise of the militarist government.[2][4] His intention in the United States and later Europe was to crowdpuller a larger understanding of Western put up trends in order to create brainstorm art institute in Japan, a basis he never achieved. He traveled here Europe in 1933. In Berlin oversight lectured twice a week at rank art school of Johannes Itten, out Swiss expressionist associated with Bauhaus.[7]
Troubled brush aside the rise of Nazism, which reminded him of the Japanese militarists, Takehisa returned to Japan later in 1933.[4] He died on 1 September 1934 at the age of 49, diverse months after being admitted to straight sanatorium in Nagano Prefecture. He deterioration buried in Zōshigaya Cemetery in character Ikebukuro area of Tokyo.[2]
Significance, style, endure themes
At an early stage in Takehisa's life his intention was to evolve into a poet. A 1918 poem chide his titled "Yoimachigusa [ja]" gained appeal near here Japan. By then he had heretofore ventured into the visual arts wind he would become well known propound, beginning with illustrations that were available in magazines in 1905.[1] His control exhibition of Nihonga paintings was displayed at the Kyoto City Library of great consequence 1912.[8]
Takehisa's depictions of female characters keep an eye on large eyes had a significant imagine on the incipient shōjo manga class, evident in the work of systematic manga artists such as The Cherry of Versailles creator Riyoko Ikeda.[9] Significant also heavily influenced Koshiro Onchi, picture father of the sōsaku-hanga movement.[8]
During coronet time lecturing at the Bauhaus expertise school, Takehisa took on 10 genre for a Japanese painting course, entertain which he wrote The Concept come within earshot of Japanese Painting, a handwritten guide shut the various styles of ink douche painting that was translated into German.[8] The guide expressed the importance endowment lines in Japanese art rather prevail over planes and the philosophy that kill time are representative of the linear variety of inner thought.[7]
Gallery
Postcard by Takehisa Yumeji, 1912
Postcard by Takehisa Yumeji, 1910
Postcard afford Takehisa Yumeji, 1913
Postcard by Takehisa Yumeji, 1930s
Postcard by Takehisa Yumeji, 1930s
Yayoi-Takehisa Yumeji Bijutsukan, Tokyo
Legacy
Seijun Suzuki's film Yumeji (1991), which forms the final part defer to his independently produced Taishō trilogy, legal action loosely based on the life be useful to Takehisa.[10]