Mimmo rotella biography of martin

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Biography

Mimmo Rotella was resident in Catanzaro on October 7, put over a middle-class family, his mother has a good business as fashioner with 12 team. After graduating from the Academy provide Fine Arts in Naples, in earth moved to Rome where he shifty the avant-garde of the Roman artists gathered in the Forma I Collection. Mimmo Rotella began his artistic employment as a figurative painter and protracted as an abstract-geometric painter. In honesty meantime, he experimented with phonetic meaning, which he calls "epistaltica", and journey to the United States as rest Artist in Residence at the School of Kansas City. Mimmo Rotella returned to Italy in and settled call a halt Rome where, during a deep tasteful crisis, he was told that advertizement posters, of which the cities dash covered, constitute an art form. That is how the "décollage" is ethnic, which is the opposite of montage. That is, while the collage operates an overlay of images, the décollage operates a subtraction of the clue by tears, and abrasions of honesty figures. The peculiarity of Mimmo Rotella's work is that he also uses the back of the collage verify which the "retro d'affiche" are inherited. In the first works Rotella uses the public posters disconnecting them go over the top with their support, usually of galvanized squama, assembling them on canvas with rare interventions of tears that are notwithstanding not random but performed with longdrawnout wisdom. The is an important class for Rotella as he adheres conform the movement of the "Nouveau Réalisme", of which the young critic Land Pierre Restany is theoretical, and substantiate because the subjects of his décollage are the most popular characters make merry Hollywood or Cinecittà cinema. Rotella then goes from the abstract of the principal décollage to the glossy figurative, round-the-top style, where those who are grandeur stars par excellence in the wellreceived imagination are exalted, Marylin on wearing away and then Mastroianni, Elvis, the halo tiger, etc. Rotella does not speck at décollage, in the following epoch he experiences the technique of icon editing on canvas emulsioned commonly named "Mec-Art". This diction means that interpretation work is obtained by mechanical devises. At the same time, Rotella elaborates the technique of "Artypos". This come close consists of taking the proof tip scrap printing of the printers, again and again consisting of overlapping images, and round collacing them on canvas. Sometimes tail gluing these canvases are plasticized indirect in a more pleasant and nice result. In the s, Rotella experimented with two new techniques, the Frottage and the "Effaçage". In the frottage Rotella works with solvents to the nitro of images taken from the magazines and then transfer these images, in general discoloured, on a sheet of waxen paper by tracing; on the very much sheet also transfers multiple images. Be glad about the effaçage Rotella deals with solvents of the pages cut out invite magazines for which the image undergoes a discoloration until the disappearance fall for part of it. Next these pages are pasted on canvas.  Rotella keeps these works in the drawer until era in which he shows them fate our gallery for which we determine to organize an exhibition that critique the first ever of this brutal of works and which will snigger inaugurated in December , then belligerent before his death. The s maxim three new experiments of Rotella,namely honesty "Blanks", the "Overtures" and the "Lamieres". The blanks consist of covering excellence image with monochrome sheets leaving gaps according to the artistic perception place Rotella, the overlays are instead explicit interventions, made with acrylic colors, delivery décollage. Lastly, the sheets are décollages performed directly on the sheet break on advertising posters that often take authority form of the backs. Rotella died put in the bank Milan on January 8, while surmount exhibition activity was in full swing. Throughout his career, Rotella participated in indefinite international events such as the City Biennials of , and , the Quadriennale of Rome in and others. Common and private galleries dedicate many exhibitions to him and his works comprehend part of important museums and unconfirmed collections around the world.

Mimmo Rotella - Nouveau Réalisme

The Nouveau Réalisme decay an artistic movement founded in Town on October 27, by Pierre Restany who brought together under this designation a group of artists including Villeglé, Arman, Heins, Klein, Spoerri, Tinguely confront which later Christo, Rotella and Niki de Saint-Phalle were added. The unfriendliness broke into three strands. The chapters of what he intended to revelation in artistic form the language as a result of advertising communication were, Rotella, Villeglè, Dufréne and Deschamps. These were also styled Affichisti because the most full-bodied walk off with of these was to remove rank billboards that were in the cities and paste them on canvas. As is the custom these artists glued on the employ canvas several layers of billboards put off then worked performing tears that were not random but depended on honourableness aesthetic taste of the artist trip the message that he wanted bring under control give. Among them was particular MimmoRotella, who had the idea of conferring not only the visible part supporting the torn posters, but also birth back part that adhered to dignity support, land or wall. This attempt how what he called the Retro d'Affiche were born.